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Wood Engraving with Anne Desmet
Learn the art of wood engraving from a recognised expert in the field. As well as fine line engraving on end-grain boxwood, Anne will show hand burnishing on Japanese papers, printing with a press and the creative possibilities of collage…
Susan Jones: Blind Embossing & Viscosity Printmaking
Explore printmaking possibilities with multiple inks and no ink. Make subtle prints without ink created by light and shade with lino and collagraph. Print two colour viscosity prints with lino, drypoint and collagraphs. Create collagraph prints with 3 different viscosity…
Jason Hicklin: Etching
This workshop explores all aspects of intaglio etching, including softground, hardground and sugarlift aquatint. Jason fosters creative results and professional practice. Several techniques taught on the course are similar to those used by Thomas Gainsborough. Jason Hicklin creates beautiful atmospheric…
Colin Gale: Lithography
Lithography is often thought of as the closest printmaking technique to painting and drawing because of its direct mark-making. Working on stone, zinc plate or aluminium photo plate, the technique is taught in easy to follow stages. Students are able…
Megan Fishpool: Could it be Magic?
Three into one makes an image. Learn all about three very special print making techniques; Carborundum, Chine Collé and Collagraph. The course conveys ‘Omne Trium Perfectum’, three techniques that perfectly express creative ideas. Exploring a rich choice of texture, colour,…
