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Megan Fishpool: The Power of Three Carborundum, Chine Collé and Collagraph
Learn all about three very special printmaking techniques; Carborundum, Chine Collé and Collagraph. The course aims to convey ‘Omne Trium Perfectum’, three techniques that are perfect for expressing creative ideas. Exploring an abundance of textures, colour options and layered structures…
Colin Gale: Lithography
Lithography is often thought of as the closest printmaking technique to painting and drawing because of its direct mark-making. Working on stone, zinc plate or aluminium photo plate, the technique is taught in easy to follow stages. Students are able…
Dale Devereux Barker: Exploring Printing with Lino
This course shows the potential and flexibility of printing from lino and encourages the use of a variety of methods and approaches to achieve different creative results. Working in a relaxed, positive atmosphere,a large body of work is created in…
Jason Hicklin: Etching
This workshop explores all aspects of intaglio etching, including softground, hardground and sugarlift aquatint. Jason’s emphasis is on creative results and professional studio practice. Several techniques featured on this course are similar to those employed by Thomas Gainsborough. Jason Hicklin…
Michael Carlo: Screenprinting, a Painterly Approach
Screenprinting is a most versatile and expressive printmaking technique and offers exciting opportunities for colour work. Michael does not use photographic methods, instead he specialises in working directly on screens, using his superb sketchbooks as reference. He encourages a painterly…
